I am exploring two concepts now for this current exhibition.  I am exhibiting older works, some over fifty years old, and at the same time, works that I am finishing right now.  

For these works one concept to be questioned is how "open or dense" the work is.  In a painting is all the surface covered with color, sometimes dense, or is it more open and airy, with considerable white surfaces left?  The same concerns can pertain to a sculpture: is it made of solid materials such as stone or bronze?

Or is it made up of transparent materials such cast polyester resin or plexiglas?

Even these transparent materials can be fabricated in such a way as to appear dense.  I myself prefer works that are "open and airy".

The other concept is what works in what materials might be considered "kinetic" in some sense.  I have been recently making motorized, computer driven, pieces in brass and aluminum that are truly kinetic: they revolve, stop and start again, driven by a computer program.  But what about a piece that is stationary, but whose forms can be rearranged by a person observing it?  It is different at different times; the spaces between its forms are variable.  And the observer can experience pleasure in being able to have some control over the appearance and even mood of the piece.

There are such unlimited possibilities in working with these materials and exploring these concepts.  I truly enjoy this aspect of making artwork.

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JAMES HIBBARD GALLERY